TreatiseTreatise

All About Rights for Visual Artists

 by Ralph E. Lerner, Judith Bresler
 
 Copyright: 2006

 Product Details >> 

Product Details

  • ISBN Number: 1402405480
  • Page Count: 275
  • Number of Volumes: 1
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Visual artists need to protect their freedom to create, and they need to protect their creations against legal violations. Now there’s an highly readable and affordable guide for visual artists that explains their many legal rights, the restrictions they’re subject to, and the ways they can protect their artworks from illegalities — PLI’s All About Rights for Visual Artists.

Written by leading art law practitioners, All About Rights for Visual Artists examines the kinds of visual expressions that are (and aren’t) protected by the First Amendment and shows you how to copyright art works; protect them against copyright and trademark infringement; avoid infringement and defamation suits; appropriate other artists’ images in legal ways; protect rights when serving as an artist for hire; and achieve the right remedies when rights are violated.

The guide also shows what artists can (and can’t do) in the virtual world under the law and how new laws are attempting to address this ever-expanding artistic realm.

All About Rights for Visual Artists is a vital resource for all visual artists and for attorneys involved in helping to protect and advance visual artists’ legal and moral rights.

Chapter 1: First Amendment Rights
  • The Concept of Freedom of Expression2
    • Pure Speech, Visual Speech and Conduct2
    • Public and Nonpublic Forums3
    • Government Actors5
    • Physical Conduct and the Four-Part Test8
    • Art As Visual Speech9
    • Art As a Threat16
    • Art and Social Commentary17
      • Art As Social Commentary in Advertising19
      • Art As Commentary on Business Practices20
      • Art As Political Expression21
    • Controversial Art Exhibited in Museums24
    • Satire26
    • Defamation34
  • Use of the Flag37
    • The Flag, Conduct, and Constitutional Protection38
    • Proposed Constitutional Amendment39
    • Flag-Protection Legislation39
    • The Flag and Nonexpressive Conduct40
    • Exhibition of the Flag As Art41
  • Use of Emblems and Insignia43
  • Graffiti Art45
  • Trademark Appropriation46
    • Trademark Infringement46
    • Trademark Dilution53
  • False Endorsement Under the Lanham Act56
  • Public Art57
    • The Serra Case58
    • Other Controversies60
  • Limitations on Freedom of Expression63
    • Obscenity63
    • The Current Test63
    • Aftermath of Miller65
    • Sale or Distribution Versus Private Possession68
    • Artwork, Minors and Pornography68
    • The Captive Audience71
  • The National Endowment for the Arts75
  • The Rights of Privacy and Publicity77
    • Privacy79
    • Incidental-Use Exception80
    • Newsworthiness Exception81
    • Limited-Artistic-Dissemination Exception84
    • Opinion Exception86
    • Publicity86
Chapter 2: Copyrights
  • Introduction91
  • History92
  • Elements of Copyright92
    • Fixation92
    • Distinction Between the Work and the Copyright in the Work92
    • Idea and Expression93
    • Originality95
    • Publication100
      • The Copyright Act of 1909100
      • The Copyright Act of 1976101
    • Duration103
      • Works Created on or After January 1, 1978103
      • Works Created Before January 1, 1978, with Subsisting Copyrights104
      • Works Created But Not Published or Registered Before January 1, 1978104
  • Exclusive Rights104
    • The Right to Reproduce105
      • Restrictions105
    • The Right to Adapt106
    • The Right to Distribute108
      • Restrictions108
    • The Right to Display109
      • Restrictions110
  • Divisibility of Copyright110
    • The Copyright Act of 1909110
    • The Copyright Act of 1976111
    • Licenses and Assignments111
    • Joint Ownership112
  • Anonymous and Pseudonymous Works115
  • Compilations and Collective Works115
  • Works Made for Hire117
    • The Copyright Act of 1976117
      • Specially Commissioned Works117
      • Works Prepared by an Employee118
    • The Copyright Act of 1909123
  • Copyright Procedures124
    • Notice124
      • Form and Placement of Notice124
        • The Copyright Act of 1976124
        • The Copyright Act of 1909125
      • Omission of Notice126
      • Defective Notice127
    • Registration127
    • Deposit129
    • Recordation130
    • Renewals131
    • Termination of Transfers132
      • Grants Executed on or After January 1, 1978133
      • Grants Executed Before January 1, 1978133
    • Statute of Limitations134
  • Utilitarian Objects and Copyright134
  • Copyright Infringement137
    • Infringement Tests137
      • Access138
      • Substantial Similarity138
    • Common Source140
    • Prerequisites to an Infringement Suit141
    • Fair Use141
      • Rogers v. Koons143
      • Campbell v. Acuff-Rose147
      • Post-Campbell149
      • Koons Revisited After Campbell149
    • Image Appropriation: A Proposed Solution of Fine Art Licensing150
      • Historical Examples of Artistic Borrowings152
      • Artistic Borrowings As Addressed by Copyright Law154
      • Hoepker v. Kruger156
      • Greenfield v. Loeb159
      • An Alternative to Litigation161
      • What Is a “Fine Art License”?162
      • Works Qualifying for a Fine Art License164
      • Administration of the Fine Art License164
      • Rights and Remedies Generally166
      • Benefits of a Fine Art License166
      • Copyright Protection and First Amendment Considerations169
    • Remedies for Copyright Infringement170
      • Injunctive Relief170
      • Impoundment and Disposition170
      • Damages and Profits171
      • Costs and Attorney’s Fees172
      • Criminal Remedies172
  • Architectural Works172
Chapter 3: Moral Rights
  • Introduction175
  • Origins176
  • Categories of Moral Rights176
    • Right of Disclosure (Droit de Divulgation)177
    • Right to Withdraw from Publication or to Make Modifications (Droit de Retrait ou de Repentir)177
    • Right of Authorship (Droit à la Paternité)178
    • Right of Integrity (Droit au Respect de l’Oeuvre)178
  • Droit Moral and the United States179
    • Early Attitudes179
    • Backdoor Recognition of Moral Rights180
    • No Legislation Yields No Protection181
    • State Moral Rights Legislation183
      • California’s Moral Rights Legislation183
      • New York’s Artists Authorship Rights Act184
      • Massachusetts’s Moral Rights Statute185
      • Maine’s Moral Rights Statute185
      • Louisiana’s Artists’ Authorship Rights Act186
      • New Jersey’s Artists’ Rights Act186
      • Pennsylvania’s Fine Arts Preservation Act187
      • New Mexico’s Act Relating to Fine Art in Public Buildings187
      • Rhode Island’s Artists’ Rights Act188
      • Connecticut’s Art Preservation and Artists’Rights Statute188
      • Nevada’s Statute189
    • Moral Rights Statutes for Public Art Commissions189
      • Utah189
      • Georgia189
      • Montana190
  • Federal Moral Rights Legislation190
    • Introduction190
    • VARA Summarized191
    • Covered Works191
    • Moral Rights Granted195
    • Distortion, Mutilation, Modification or Destruction196
    • Destruction and State of Mind197
    • “Recognized Stature”198
    • “Recognized Stature” and Later Case Law202
    • Persons Covered204
    • Duration205
    • Registration205
    • Remedies205
    • Preemption206
    • VARA and Insurance208
    • Waiver and Transfer of Rights209
    • Waiver for Movable Works of Visual Art210
    • Waiver for Works of Visual Art Incorporated into Buildings210
    • Does VARA Meet the Requirements of Berne?211
Chapter 4: Online Rights
  • Introduction213
  • Copyrights in the Digital Age214
    • Overview214
    • The Exclusive Rights of Copyright Holders Within the Digital Medium215
      • Reproduction of the Copyrighted Work in Digital Copies215
      • The Creation of Digital Derivative Works216
        • Appropriation216
        • Collective Works217
      • Distribution of Digital Copies of the Copyrighted Work to the Public219
      • Public Display of the Digital Copyrighted Work220
    • Digital Millennium Copyright Act (DMCA)222
      • Overview222
      • DMCA Safe Harbor Provisions224
        • Contributory Infringement224
        • Peer-to-Peer Networks224
        • Notice-and-Take-Down Provisions Limit ISP Liability226
        • Hyperlinks227
        • Inline Linking and Framing228
        • Fair Use Defense229
        • Fair Use Defense and Nonprofit Organizations229
  • Trademark Protection230
    • Types of Trademark Infringement230
      • Traditional Infringement230
      • Use of Trademark in Domain Name231
      • Cybersquatting232
      • Good-Faith Registration232
      • International Disputes232
    • Remedies233
      • Uniform Domain Name Dispute Resolution Policy233
        • Conditions for a UDRP Proceeding233
        • Uniform Dispute Resolution Service Providers234
      • Federal Trademark Dilution Act234
      • Anticybersquatting Consumer Protection Act235
    • Fair Use Defenses to Trademark Infringement236
      • Nominative Fair Use236
      • Parody236
  • First Amendment Issues Online237
    • Defamation Law237
      • Communications Decency Act237
      • Types of Claims Barred238
      • Claims Not Barred239
    • The Rights of Privacy and Publicity239
      • Privacy239
      • Publicity240
    • Obscenity Law240
      • Federal Regulation of Obscenity240
      • State Regulation of Obscenity246
  • Child Pornography246
  • Visual Artists’ Moral Rights in a Digital Age248
Chapter 5: Index to All About Rights for Visual Artists
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